MOOSE BLOOD AT THE GARAGE, 04.10.16I really want to love this show. It has all the major elements – at least two bands on the line-up I fancy watching, an energetic crowd, security that are on the ball enough to prevent me being kicked in the head by every passing crowd-surfer – and yet. Versus all the other new-wave emo bands I’m seeing this week
(and there are a few), Moose Blood
are playing to a home advantage. With Radio 1 recognition and a number of UK
festival slots under their belt, they’re fairly well-known even outwith the
‘scene’. As such they’re granted the luxury of a proper sold out 750-cap venue
in The Garage. Not my favourite gig
spot in Glasgow, as followers of the old blog will know, and unfortunately my
mind remains unchanged. The band themselves aren’t to blame for this of course. The
performance they put on is fiery, open and very pleasantly lit in the pink
blush of their latest album. And there’s something quite satisfying about a
setlist full of punchy one word titles – although that might just be me. Bukowski is played
right off the bat (which is more than a little disappointing considering I’m
still in the photo pit by then – hey bands, please consider catering to my
particular needs and only play filler during the first three songs) but with multiple
supports to warm them up, the crowd are well-prepared. Old hits Gum and Swim Down enjoy a deafening reaction too with huge singalongs and
myriad circle pits. Herein lies part of the problem though. Despite its regular
use by mid-tier punk and hard rock bands, The
Garage seems to have pretty much nothing in the way of air conditioning. I
know, I know, we’re in Scotland and the thought of American-style AC here is
hilarious in most situations but this isn’t one of them. With a floor full of
people pressed against your back, the barrier becomes a dangerous sweatbox. And no matter how hard they work the security can’t weed out
even most of the assholes. There’s a fairly high quantity of young drunken men
throwing their body weight into every unassuming teenager within reach - one
even rips off his beer soaked shirt and begins to whip it into their faces.
Pits are opened without any regard for the makeup of the crowd, and maybe I’m
just being old school about this, but it does matter. I’m in no way disparaging a bit of moshing or crowd surfing.
If that’s the way you enjoy the show then more power to you, but here’s the
thing: when you’re roughly twice the size of the people around you, and those
people genuinely aren’t interested in being involved, it’s time to take a step
back. A few seconds spared for shuffling those folks out of harm’s way is no
skin off your nose, and it’s the only way to avoid injury. Because let me tell
you, I’m 5’3”; not very strong; an avid seeker of a good pit. And I’ve racked up
a good few scars from being knocked to the ground even in a state where I’m
more than prepared to bounce back the behemoth charging at me. The issues are myriad, and widespread throughout the
scene, but Moose Blood bring it home
to a positive close nonetheless. With an acoustic version of Spring to catch our breath and a humble
thanks for the sellout, they charge into new album track Knuckles for one last rapturous singalong. A good show but, hampered by arseholes, not a great one. SETLISTPastel Gum |
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